"...Using Ravel and Couperin as a model, Mr. Hall's Le Tombeau de Honegger is essentially a neoclassic composition, in which only the pitch style differs from earlier composers, not the generally enjoyable rhythms and tempi. The third movement, Hornpipe, is analogous to Couperin's Rigadoun made memorable in Ravel's by now classic composition. It's delicious rhythm is irresistible..."
- Review from The New Music Connoisseur of Le Tombeau de Honegger, performed by Blair McMillen at the 2004 American Composers Alliance Festival of New American Music.
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"...the best of these was Greg Hall's solo piano piece For Graham Fitkin, an earnestly pleasing study in textures that expertly navigates harmonies ranging from Roy Harris-style polytonality to jazzy upper tertian aggregates..."
Review by David Cleary from The New Music Connoisseur of For Graham Fitkin, performed by the composer at the 2001 Ought-One NonPop festival.
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"...A very original piece; I've never heard anything like it..."
Lukas Foss, discussing my orchestral tone poem Niagara.
